dramaclaw

Make Your Own DC.

They say you're obsolete. Maybe it's the whole idea of "working for someone else" that's obsolete. In the age of AI, the real question isn't whether machines replace people. The real question is: Who owns the machines? Who owns the pipeline? Who owns industrialized productivity? If the answer is always Big Tech, then AI isn't empowerment. It's just a new wall. I'm Eric. This isn't a demo. Not a toy. Not a crippled edition. This is the industrialized drama-production line our own team runs every day. From script to storyboard, from assets to finished film — the whole chain. Because people aren't beasts of burden. Because creativity is humanity's last line of defense. What DramaClaw sets out to do is simple: Tear down the wall. Put the industrialized drama-production power that only Big Tech had into the hands of ordinary creators. The code is here. If this resonates, leave a ⭐. We'll keep tearing down walls.

And yes, you can make money with it. DramaClaw is Elastic License 2.0. Run it, modify it, sell what you build with it — the standalone version is free for commercial use, no permission needed. We ask for one thing: a small "Powered by DramaClaw" in the corner of your UI. The only door still closed is wrapping it up as a hosted SaaS for other people; that license isn't open yet. Why, and the FAQ: #475.

English  |  简体中文  |  Tiếng Việt  |  ไทย  |  Website  |  Docs  |  Quick Start

🎬 Made with DramaClaw

Real short dramas our team produced on this very pipeline — click a link to play.

More clips: 3D 动漫混剪 demo  ·  动态打斗

What is DramaClaw?

DramaClaw is a source-available production line for AI drama — and, increasingly, for any visual story you want to tell with generative models. It has two faces that share one asset library and one agent:

• XiaHua — the infinite canvas. A node-based workbench where you generate, edit and connect images, video, audio, 3D sets and scripts freely, then promote what you like back into the series. This is where most of our own creative work happens today, and where DramaClaw is heading.
• Series (XiaJi) — the pipeline. Drop in a manuscript or screenplay and DramaClaw takes over the heavy lifting: structuring the story, planning episodes, writing scripts, drawing storyboards and first frames, synthesizing voice-over, and cutting the final film.

Xia Director, the built-in agent, sits across both: it answers questions about your project, drives pipeline tasks, and can build and run node graphs on the canvas for you.

It's built for creators, indie studios and creative engineers — run the whole "drama factory" on your own machine, without stitching together a dozen disconnected tools or handing your material to an opaque black-box cloud service. Although it's built around drama, the same canvas and pipeline carry to short-form ads, e-commerce product videos and other visual formats.

Core Capabilities

XiaHua — infinite canvas

• 18 node types on one canvas — upload, image generation / edit, storyboard generation, script, beat context, video, video compose, video story, audio, style, skill, group, text annotation, 360° panorama viewer, 3D world, export and more. Connect them freely; every node keeps its own generation history.
• Image tools — generate, edit, redraw, outpaint, relight, upscale, multi-view, template edit, reverse-prompt, mark detection; a style wall of 45 short-drama looks for image-to-image
• Video tools — text / image / keyframe to video, omni-reference generation with file, web-link and on-canvas references, video edit, erase, upscale, audio separation, camera templates, shot analysis; Seedance 2.5 in the recommended catalog
• Audio — speech synthesis with a voice library, reference voices, music generation
• Canvas skills — one-click skills such as sketch-from-context, frame-from-context, set-background, scene-360, frame review and beat-graph planning
• Built for big canvases — canvas tabs, element outline, minimap and viewport bookmarks, snap-align, level-of-detail rendering, multi-select and group nodes, keyboard shortcuts, revision history with restore, per-canvas locking
• Commit to the series — preview the impact, then promote a single node or a whole batch into the asset library or an episode; project the series back onto a canvas from presets
• Director World — spatially consistent sets — image → 3D Gaussian Splat set and scene-360 panoramas as canvas nodes: a framable virtual set that locks spatial structure, character blocking and camera placement, so the same location stays consistent across shots; frame the shot in the 3D viewer, capture it, and use it as the background for the next generation

Director World

Series (XiaJi) — the pipeline