My Office

English · Tiếng Việt

A 3D office where your Claude Code sessions come to work. Each session is a character at a desk:

• it walks to the library to read files;
• it types at its desk while it edits;
• it goes to the server room to run commands;
• it launches a rocket when you deploy.

The office also looks after your Mac: RAM per session, forgotten dev servers, one-click cleanup.

Try it before you install anything. The demo has made-up projects and needs no Claude Code: run npm run dev and open http://localhost:4310/?demo. Or try it online, nothing to install: https://khanh020905.github.io/my-office/ (a static build of the same demo, published by .github/workflows/pages.yml).

Questions or ideas? Ask in Discussions → Q&A, suggest something in Ideas, or show your office in Show and tell.

My Office is a community project. It is not made by, endorsed by or affiliated with Anthropic.

Quick start

You need Node.js 20.9 or newer and Claude Code, on macOS, Linux or Windows. The machine panel (RAM, CPU, disk, dev servers, cleanup) reads each system its own way; opening a session's IDE window and quitting apps are macOS only.

git clone https://github.com/khanh020905/my-office.git && cd my-office
npm install
node bin/cli.mjs install --service   # adds the hooks to ~/.claude/settings.json and runs the office at login
node bin/cli.mjs doctor              # checks Node, the server, every hook and the background service

Then open http://localhost:4310.

• install backs up settings.json before changing it and only adds My Office's own hooks. Running it again adds nothing twice.
• To remove everything: node bin/cli.mjs uninstall.

• Restart after changing the code: launchctl kickstart -k gui/$(id -u)/com.my-office (macOS) or systemctl --user restart my-office (Linux). node bin/cli.mjs doctor prints the right command for your system.
• Logs: tail -f data/server.log.

What's inside

The office

• Three floor plans (Settings → Office):
  • Cozy is one open room.
  • Company is a whole 22 × 17 m floor: the director's office, a glass meeting room, a library, a server room, a lobby, restrooms, a dining room and a lounge. Desks are grouped in pods by project folder.
  • Headquarters adds a wing of four department rooms (44 desks in all). Each room's door plaque shows the project working there.
• You are the director. Every prompt you send is carried to the right desk. When the work is done, the person reports back to your office before taking a break.
• Subagents come in through the door and get their brief from their boss. They work where their task belongs, report back, and leave.
• Resting sessions lean back with a pillow and a blanket after a while. Click a sleeping one and it tells you what it finished.
• People react to you:
  • switch off a lamp after dark and whoever works next to it complains, walks over and switches it back on (do it again and they get crosser; the fourth time they give up);
  • the light switch by the door puts out the whole floor: everyone says so, and the nearest goes to switch it back on;
  • print a page or make a coffee and someone comes for it;
  • pet the cat and it goes to sit on someone's keyboard, who lifts it down;
  • click someone at work and they look up for a second;
  • ring the bell on the meeting table: everyone free comes in, each says what they are working on, and the director sends them back;
  • a new trophy brings a cake to the meeting table and a round of applause; a deploy gets applause from the desks nearby;
  • plants dry out after a few hours and droop; click a thirsty one and someone waters it.
• Late at night, sessions that have been resting for half an hour put their coats on and go home by the lift. They come back as soon as there is work, or in the morning. With the city outside they go by the street, each their own way: their own scooter from the row parked on the pavement in front of the building, a GrabBike or Xanh SM bike (on the back), or a Xanh SM taxi. The session list says where anyone out is ("In Circle K", "Heading home (GrabBike)").
• Out of Claude: when an account's plan limit (the 5 hours or the week) is used up, the people on that account leave their desks for a break: a tea at the pantry tables, a book, a chat. A board on the wall counts down to when it can be used again; when it resets the bell rings and they go back to their desks. Anyone whose session is still working keeps working. (?limitout=30 shows it for half an hour.)
• Games on the lounge TV (company floor): a 55" TV on a media unit, a console beside it, two controllers. Now and then two people who are resting sit down on the sofa and play a match (football 3 v 3, a split-screen racer through Saigon at sunset, a rooftop fighter, all pixel art made for the office): they cheer their goals, groan at the other's, and get up when work comes in. Click the TV to call two free people over. In first person, press E at the TV to sit down and play yourself, against a colleague who comes over or the console; a real gamepad works too.
• Pool in the lounge (company floor): a 7-foot table with walnut rails, pearl diamonds and leather pockets, the balls really rolling (cushions, kisses, pockets). Now and then two people who are resting take a cue each and play a frame: they walk round the table to get behind the white, bend over the cue, take a few practice strokes and play through; whoever pots goes again, the white going down hands the table over, first to five wins. Click the table to call two free people over. In first person, E at the table picks up a cue: ←/→ (or drag) to aim along the guide line, hold Space for power and let go, against a colleague who comes over or on your own.
• The karaoke box (company floor, beside the phone booth): a soundproof cabin like the coin-op ones in Vietnamese malls, with neon, a screen, two mics and a bench. Now and then someone resting (two, more often on a Friday evening) goes in and sings one of the office's own songs: the words run across the screen and fill with colour as they are sung, notes rise over the box, its lights pulse, and the machine gives a score at the end, to applause and a post in the group chat. The tune follows the Vietnamese words' tones, as folk songs do, and is synthesized in the browser, quietly, only with sounds on. Click the box to send someone in; in first person, E at it takes you in to sing.
• The week's rhythm: Monday 9:00 the bell rings for the stand-up by itself and everyone free goes round the meeting table saying what they're on; Friday 16:00 there's milk tea and bánh tráng trộn in the pantry for whoever is resting.
• Staff who aren't sessions: on the company floor a receptionist sits at the lobby reception from 7:45 to 18:15, greeting whoever comes out of the lift and seeing them off in the evening. Twice a day a Shopee courier comes up with a parcel for someone resting: he leaves it on the counter, the receptionist calls out the name, and they come for it, carry it back to the desk and open it (in the small office he calls from the door). At 18:30 the cleaner comes with her trolley, mops the aisles one by one behind a yellow "wet floor" sign (the floor shines until it dries, and people walk round it), empties the big bin and goes home.
• Project areas: each project (its git repository) has its own desks: on the company floor half a pod (the two desks facing each other), with a carpet in the project's colour and its team chip; a project with more sessions takes the other half too. The office remembers where each project sat, so its sessions come back to the same desks; only when every area is taken do projects share. In the small office, a row each.
• The Thần Tài – Thổ Địa altar (company floor): a red-lacquered shrine on the floor by the reception, facing the lobby: Ông Địa and Thần Tài inside, the couplet on its pillars, an incense bowl, red altar lamps lit after dark. On the lunar 1st and 15th (the real lunar calendar) the receptionist sets out five fruits on a footed dish, xôi gấc and yellow chrysanthemums, lights three sticks of incense and bows; the smoke rises for most of an hour (?lunar=1 to see it any day).
• The midday nap, 12:30–13:30: the blinds come down, t